Founded in 1976, Touchstone Gallery is located in a custom-built street-level space at 901 New York Avenue NW, Washington, DC. Since the beginning, Touchstone’s mission has remained unaltered: to enrich the lives of the community through diverse contemporary art exhibitions; to promote a rich variety of art talent in the DC region; to showcase national and international artists whenever possible; and to foster continuing artistic and career growth of its 50 member artists through encouragement and support. The gallery is centrally located in Washington, DC, between the White House and the United States Capitol. Close to the CityCenterDC development, the Walter E. Washington Convention Center and the National Museum of Women in the Arts, this venue is easily accessible by public transportation and a perfect modern backdrop for contemporary art. As a member owned and managed gallery, Touchstone artists enjoy the right to guide gallery policies and control their solo exhibitions. The support and camaraderie of the membership is an important benefit. From the start, Touchstone has been involved with the DC community and with philanthropic outreach in and beyond DC region. The gallery is part of local, national and international art scene, balancing its members’ shows with ongoing art […]

  PADA is an artist led, not for profit, arts association, unique in its support to artists. As a cultural resource, PADA promotes interaction between national and international artists, the local community and surrounding region. Set in a derelict industrial park with a history dating back to 1885, PADA offers artists time and space to develop their practice through the exploration of technique and process. PADA is located in the picturesque town of Barreiro, a medium-sized city on the South Bank of the River Tagus (20 minutes from Lisbon by ferry). Barreiro was the main industrial city in Portugal and Spain until 1970 and is known for its political and industrial history. Since the 70’s, Barreiro has been slowly redefining its identity, without losing its main characteristics inherited from history. Barreiro is known for its cooperation, creativity, resilience and hospitality, combined with a strong sense of identity and connection with the ever-present river Tagus. PADA is located in the old textile area of CUF’s Industrial Park, and today, is surrounded by light industry and various fabrication businesses. Large sections of the area are in ruins and the remains of what was once a large industrial power now stand empty and […]

  window is a site-specific, minimalist exhibition space envisioned as a platform for contemporary image makers who engage with issues of re-production and re-presentation within their practice via political, philosophical, theoretical, poetic and/or process-based frameworks.   window welcomes two-dimensional printable works that repurpose found or archival source materials, challenge notions of originality and authenticity, stimulate perceptual phenomena through reiteration or duplication, implement re-photography as a critical component, or embrace re-production as essential to the work. window installs 4-6 new artworks per year, designed exclusively for the space by the artist, or in collaboration with the curator.  The site consists of a 58 in x 51.5 in surface area of a downtown Asheville, North Carolina storefront with ample visibility to the passing public. window invites artists to realize new works, designed and conceptualized to complement the discourse and format of the site, and also encourages the re-contextualization of pre-existing works. Mission Statement window values original objects and aesthetic precision, but does not find these aspects essential to every viewing experience. window promotes the exchange of ideas and dialogue through engagement with visual representation. window does not fetishize process or material and disavows the treatment of artworks as precious and unique. window does not promote commerce. window celebrates re-production.  

One Stay, One Art PARADISE AIR is an artist-in-residence program located in Matsudo, Chiba Prefecture, conveniently close to yet comfortably removed from the bustle of central Tokyo. The program is held on the vacant floors of a former hotel, a setting afforded to us by the Rakuen pachinko parlor (a pinball-gambling establishment) that occupies the bottom floors of this building owned by Hamatomo Corporation. We launched the program in 2013, naming ourselves PARADISE AIR after this “Rakuen” – “paradise” in English – combined with “AIR,” the acronym for “artist-in-residence.” Artist-in-residence programs provide artists a place to stay and create art for a given period, supporting their travel and artistic activities. Situated along the old Mito Road, Matsudo thrived during the Edo Period (1603–1868) as one of the route’s “post towns”– stop-off points punctuating major roads – where travelers would stay on their journey between Edo (present-day Tokyo) and Mito. Countless travelers came and went past where Matsudo station stands today, including artists – poets, painters, calligraphers and the like – who would sometimes leave pieces of their own art as payment for lodging. Some of these works can still be found today, preserved in local residents’ homes. In the spirit […]

  Videokaffe explores the intersection of handcraft and modern technology through exhibitions, art residencies and connecting artist studios worldwide. Since 2011 Videokaffe has exhibited at galleries and art residencies in Japan, Russia, United States and Finland. The members show their individual works and together build workspaces / labs onsite, where they work collaboratively and create artwork. During the exhibitions, Videokaffe invites the audience to enter the workspace to witness, learn about, and participate in the art making process. Between exhibitions, Videokaffe members meet regularly online by connecting their studios via webcams and video projectors. Through this process, the members work together as if they are sharing the same space. Videokaffe seeks to build bridges among cultures and to collaborate through the universal language of art.  

  Gallery Rostrum is located in Malmö, Sweden and was founded in 1985. Operating as an artist-run, non-profit exhibition space, we present an annual programme of broad and varied contemporary art through exhibitions, art-projects and cultural events. The members of Rostrum are all active artists from various backgrounds, nationalities and individual artistic practices. Part of Rostrum´s core strength is in the way we manage our diversity to enable us to generate new angles and approaches to art and art practice. Together we strive to be in close dialogue with the audience, with the aim of broadening the art scene and initiating new pathways for art.  

  Camayuhs is an artist run gallery located in the Peachtree Hills neighborhood of Atlanta, GA. Programming aims to highlight emerging and mid-career artists via presentations of group and two person exhibitions.

  Trixie is an artist-run space located in the Stationsbuurt, neighboring the red light district of The Hague, in The Netherlands. Our building consists of an open and dynamic exhibition space with huge windows and shiny mirrors, including fifteen studios, currently hosting seventeen young artists/designers who work towards establishing a firm base for their artistic career. Trixie has an eye for recent graduates and upcoming talent and invites diverse groups of artists to experiment with alternative presentation strategies and expand their practice.

  Nieuwe Vide is an exhibition space for contemporary art. Nieuwe Vide also houses artist studios and a project space. We work with young and upcoming artists as well as more experienced artists. The studios are rented by visual artists and creatives. Nieuwe Vide works with these artists and creatives whenever possible. Nieuwe Vide, as such, is a launching pad for upcoming artists’ careers. The project space is used for (educational) workshops and gatherings. True to its squatters roots 20 years ago, Nieuwe Vide is socially engaged and operates on a community level. We offer a weekly soup lunch for artists and neighbourhood residents. Every year we offer an educational art trajectory for kids aged 14-18, called Nieuwe Vide Academy. We also have a film community, CineClub, with a focus on all kinds of film and film-discussion.  

  …ism is a project space for artists with ideas for future work in response to the location of a 17th century townhouse and former billiard and game shop.  

WYKWIT is a place of artistic activity and exhibition. It came to be out of the potential of the cellar space in the post-German mansion we inhabit. The creators of WYKWIT are inhabitants of the house. The building on the Aleja Kochanowskiego street dates back to roughly 1900 and was erected in the Wilhelmsruh district. Back then Wroclaw was the German Breslau. Currently, the house is in a quite dilapidated condition. The original furnishing outside is damaged in many places. Inside there are many brutal rearrangements made by countless tenants. The mansion is surrounded by a large garden. WYKWIT is opposite to a typical white-cube arrangement. Projects presented in WYKWIT should consider its potential, specific and/or contexts. Parallel to the WYKWIT’s activities of an art gallery WARSTWY (Layers) have born- a concept-experimental project focusing its activity on intervention in already existing situation and playing with it. WYKWIT consists of: Karolina Balcer Michal Kamiński Martyna Muth Krzysztof Rubach Janusz Czyżewicz Layers (Adam Martyniak, Michał Mejnartowicz, Karolina Włodek)

  98B COLLABoratory is an artist-run initiative and space in Manila, Philippines. We are a community + network + library + kitchen + shop. The idea is to have a setting where artists and creative individuals from other disciplines can interact and work together while presenting art, design and creativity in different ways; be it a talk, a bazaar, a publication, a meal or a simple gathering.  It is a multi-disciplinary art laboratory that seeks to establish a convergence with artists, designers, curators, writers, musicians, film makers, activists, educators, researchers, cultural workers, performers, architects and students together with the general public. Brief Background 98B was established in January 2012 by Mark Salvatus (visual artist) and Mayumi Hirano (curator and researcher) as a response to the need for alternative venues in Manila. Salvatus opened up his studio and residence to respond to this dearth; 98B is his address. July of 2012 provided us with an opportune playground to frolic in – Escolta, Manila.  Marika Constantino (visual artist and curator), Gabriel Villegas (magazine art director) together with 98B’s Founders, direct the team’s various programs and activities towards creative sharing, discussion and collaboration.  The 98B Team has ten founding members and is currently run by seven members […]

  We are a group of artists that opened a self-funded, egalitarian, clique-free and non-profit gallery in the heart of the sooty southern Tel-Aviv. The vision of Binyamin Gallery is to offer a chance to visiting curators (well-known as well as young graduates) and guest artists from Israel and abroad. We created a platform for fresh kick-ass exhibitions. Binyamin Gallery is managed as a cooperative by its members, all graduates of Israel’s high art institutes in their first decade of artistic activity. We provide a professional network to motivate, guide and promote the monthly collaborators, within the art discourse. At the time of the gallery inauguration, in March 2011, the group’s manifesto was presented in the exhibition text by the curator, Gilad Melzer (translated freely from Hebrew: “The opening of a cultural institution, as modest as it may be, in Israel of 2011, is not to be taken for granted. Culture, if at all present on the local radar screen of consciousness, is seen as a weak signal, and the weakest of all is that of plastic arts. Thus the opening of a new gallery, by a collective of artists not driven by the pursuit of material gain, but rather […]

  Easttopics is a non-profit initiative launched in 2013, led by young art professionals based in Hungary and Serbia and dedicated to the promotion of the Eastern European contemporary art field. Working as a think tank for the Eastern European art communities, Easttopics is a genuinely interdisciplinary cooperative which goal is to draw the Eastern contemporary art field and the international art scene closer to each other. This cross-border project takes form as an expanding on-line website and space focusing on the following countries: Albania, Belarus, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Greece, Hungary, Kosovo, Latvia, Lithuania, Macedonia, Moldova, Montenegro, Poland, Romania, Serbia, Slovakia, Slovenia and Ukraine. Easttopics aims at mapping and providing more visibility to protagonists of the Eastern European art life, should they be artists, art professionals, institutions, events or publications. It also wishes to act as a dynamic platform fostering connections, exchanges, community building, and cooperations for both practice-based and research-based projects on a local, regional, and international level.

The ZK/U ZK/U seeks to develop projects, co-produce knowledge and share values created through exchanges. ZK/U does not offer a fixed set of ideas and principles for its fellows. Rather, individual projects and needs shape what could be described as a continuous formation. Instead of letting the ‘final product’ constrain the possible routes that a practice might take, ZK/U focuses on the processes that come from, and feed into, the particular contexts of the fellows’ practice, whether they be locally-defined situations or international discourses. THE ORGANIZATION BEHIND ZK/U: KUNSTREPUBLIK The ZK/U concept and practice were initiated by the artist collective and non-profit organization KUNSTrePUBLIK e.V.. The association managed to become the owner of the former railway depot and holds a 40 year lease on the ground. KUNSTrePUBLIK‘s concepts and projects are equally focused on local involvement and global exchange. Coming from non-institutional backgrounds, the founders aspire to continue exploring ways of collaborating, researching and creating, that go beyond the lines of existing structures and preconceptions. As part of their artistic practice, KUNSTrePUBLIK considers the development of ZK/U a long-term process that will evolve through the contributions and critical feedback expressed by its participants, partners and a diverse audience. KUNSTrePUBLIK is […]

  Mercury 20 Gallery is an artist-run gallery founded as a venue for contributing members to exhibit, sell, and promote each other’s art in the Oakland/East Bay community. The gallery hosts openings, art and community events, and artist talks. The gallery was founded with the mission to host and support exhibitions of the highest quality by member artists. Members help each other make sales and increase exposure to potential collectors, curators and critics. They actively participate in the Oakland Uptown community by attending Art Murmur, monthly gallery meetings, events, artist talks, and receptions in an open exchange of ideas.