Berlinskej Model is a non-profit gallery based in art district Holešovice, Prague, Czech Republic. Berlinskej Model has been founded in 2011 and it’s known as a meeting point for the current art scene, crossing borders of the local district, genres and generations. The gallery is also organizing workshops, talks, discussion panels, concerts and regularly issuing art magazine RAJON. Berlinskej Model mainly focuses on contemporary art overlapping in political and social involved activism. Berlinskej Model runs exhibitions once per week, presenting every new artist on Wednesdays only. The show is on just for one night only, so it’s an opening and a closing ceremony in one, including a meal cooked by the exhibiting artist.  

  Julio Artist-run Space is an independent project specialized in the production, distribution and commercialization of contemporary art propositions, founded by the artists Maria Ibanez Lago and Constanza Piaggio. Julio has been running since 2016 in the Belleville-Ménilmontant neighborhood in Paris, hosting exhibitions called “Assemblage #”, which bring together two to three artists for one month, as well as specific presentations (performances, book presentations, conferences, etc.). It connects Argentinian and international artists generating links between consummate and emerging artists, from diverse generations and mediums.  

We offer a professional workshop specializing in intaglio printmaking. We are inviting printmakers and visual artists (also artists of another disciplines like writers and poets) to our residency. We provide you with personal assistance and workshop space you need to research and create your work. Our rural setting provides a tranquil space for you to live and work. You have the freedom to create your own work or participate in our selection of courses and workshops. More information: http://artprintresidence.com

  THE BIENNIAL LAM 360° (Land Art Mongolia | acronym LAM) is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies. It strongly promotes freedom of expression in joining people and institutions from all sectors of Mongolian society by meshing their respective backgrounds and perspectives through collaboration and networking actions of regional and global scope. By doing so, the organization would like to incite an advanced discourse on cultural and social policy which will take up environmental and social sustainability with a strong emphasis on the most vulnerable sectors of society in Mongolia (such as: nomadic people | ethnic minorities | non-commercial cultural organizations and youth) in the broader perspective of cultural transformation in Central Asia. MNG 360° БАЙГАЛИЙН УРЛАГ МОНГОЛ is an Ulaanbaatar based independent, non-profit, contemporary art organization (NGO) with the purpose of raising awareness for issues as sustainability, nomadic culture, ecological decentralization and democracy by means of contemporary art as an impulse generator for civil society in Mongolia, with a main mission of promoting and realizing the Biennial Land Art Mongolia.

  Small presses, university journals, and literary magazines have long provided publication opportunities to visual artists for their cover and editorial images. Their traditional freedom from advertiser control has allowed them to provide a home to work that is challenging or confrontational. Although they welcome visual art, such publications’ primary modus is text and the imagery is often sprinkled among the stories, several artists are typically included in a single issue, and the number of works from any one artist is sometimes quite limited. Non-profit Dek Unu Magazine focuses on the visual, providing space for one artist at a time to show adventurous work in depth, themed and curated by the artist alone. During the publication month, each featured artist is promoted extensively on web and social media.  

The Kulturdrogerie association, located in a former drugstore on Gentzgasse 86-88 in Vienna’s 18th district, Währing, makes studio space, production space, and exhibition and presentation area available to selected, invited artists. The association was founded in 2005 by sculptors Markus Hiesleitner and Franz Tišek. Kulturdrogerie is an experimental art space that functions as an ideational testing ground, and provides artists with support and space that they otherwise would not have at their disposal to realize their projects. The Kulturdrogerie thus views its purpose as a place of production and exhibition for contemporary young art.  

ada is… ein Projekt zur künstlerischen Zwischennutzung, welches ausgehend von den lokalen Gegebenheiten versucht KünstlerInnen zur Auseinandersetzung dieser conditio humana einzuladen, um dahingehend auch die eigene Rolle in der Gesellschaft zu hinterfragen. „Die einzige Konstante – ist die Transformation“ Dazu werden dort regelmäßige Präsentationen von unterschiedlichen Positionen der Gegenwartskunst stattfinden. Der Fokus ist eine breit gefächerte Präsentation (Malerei, Bildhauerei, Performance, Medienkunst etc.) von Kunst im Wechselspiel mit der Örtlichkeit. Ziel ist die Schaffung einer sich prozesshaft transformierenden Ausstellung, mit jeweils in situ entstehender Kunst, die in Symbiose mit dem Raum geschieht. Ein Umgang mit der Umgebung, eine Herausforderung an das Schaffen selbst – Ephemera und das du. Die Ausstellungsreihe zum Thema der Verwandlung und Vergänglichkeit der Identität repräsentiert in den Resten der menschlichen Existenz, ist die Vorgabe der Wandlung, nicht um das alte wieder lebendig zu machen sondern die Kunst als Sonde in die vielfältigen Ebenen der Humankondition zu nützen. Die Künstler sind konfrontiert mit der Geschichte des Raumes, dieser bedingt den darin stattfindenden künstlerischen Prozess; der Metamorphose vom Vergangenen zum Jetzt, hin zum zukünftig endgültigen Vergessen. Das Ausloten/Verbiegen der Räumlichkeiten, deren Geschichte, deren Umfeld, der künstlerischen Grenzen, stehen im Blickfeld. Transformierende Ausstellung: auf den vorgefundenen Resten aufbauend, lagern sich die unterschiedlichen […]

Russian American Cultural Center (RACC) aims to provide permanent cultural representation to more than 700,000 Russian-speaking residents of New York. It was founded in 1998 by Dr. Regina Khidekel and earned its 501(c)(3) tax-exempt status in 1999.

Push/Pull’s mission is to: Promote underground art and comics Foster community between those creating and viewing art Encourage emerging artists, illustrators and cartoonists Innovate the way art is consumed by presenting it in a unique environment and with nontraditional events Stimulate Diversity by actively seeking out marginalized and under-represented artists Underground art is work that challenges the viewer to feel something, to think about something. Art that is made by professionals that learned all the rules about making art and then broke them. Art that is made by professionals that never learned any of the rules about making art and made it up as they went along. It’s creepy, weird, controversial, strange. Push/Pull exists to show the alternative possibility of what an art gallery can be. In order to further our mission we’ve created a nonprofit section of our business that is powered by Shunpike. Our nonprofit work includes adult and teen education, community events, and cultural outreach. You can donate any time here to help support our work: www.poweredbyshunpike.org/c/PBS/a/37789 Learn more about our programs at this link Shunpike is the 501(c)(3) non-profit agency that provides independent arts groups in Washington State with the services, resources, and opportunities they need to […]

Current Space is an artist-run gallery, studio, and a headquarters for cultural production, nourishing an ongoing dialogue between artists, activists, performers, designers, curators, and thinkers. Operating since November 2004, we are committed to showcasing, developing, and broadening the reach of artists locally and internationally.  

Selected by Artslant Magazine as one of Berlin’s most interesting non-profit art spaces, SomoS finds meaning in a pragmatic innovative hybrid of art-presentation, production, education and reflection that engages with, and celebrates an ever-changing community; living and working together in a multi-generational, multi-cultural setting. Organizing an Artist-in-Residency program and an ambitious exhibition and event schedule, SomoS closely works with artists, organizers and curators to realize their projects. SomoS’ mission is to create an international open framework for innovative arts and creative cooperation.

Kleine Humboldt Galerie is a student-run initiative from Berlin curating bi-annual contemporary art exhibitions at the atrium of Humboldt-Universities main building. Past exhibitions have dealt with diverse subject matters such as educational politics, feminism, the dream of a universal language, cultures of political protest and scientific methods of visualization.

VIDEOART CENTER Tokyo/VCT was founded in 2001 as an association dedicated to videoart and other time based arts in Japan. The aim of VCT is to form an international alternative network for those arts and develop the situation. VCT is managed independently as a Non-Profit Organization by videoartists and the staffs who consider it’s necessary to establish a critical role of the videoart of the present against the society of spectacle. As recent activities, VCT took part in “50th Anniversary of Video Art / Les Instant Video2013” (2013, Marseiile, France), and worked on a documentary video project with oral history of early video artists in Japan, “Kikai de Mirukoto=Eye Machine/To See by Chance -the Pioneers of Japanese Videoarts-“(2012, 82min.), series of screening event; “Video Reflexive” (2014-2016) included “Ko NAKAJIMA Video Vicissitudes”(2014, UPLINK, Tokyo). VCT focused on the open air video art show in urban spaces, as “Video Art Promenade in ASAGAYA/ Wall to Wall”(2015, Tokyo), “Video Art Promenade in Kagurazaka”(2015, Tokyo).

BUREAU of CHANGE is an education-centric lab for real art practice in New Orleans. We create, curate and exhibit socially and politically engaged work. BUREAU of CHANGE was founded by Margot Herster with a group of her former students and recent graduates from Louisiana State University. Originating out of dissatisfaction with higher education, particularly in arts and media, BUREAU developed into a new school in the form of an atelier-style studio.  A diverse group—established artists and designers, paid student apprentices and young artists, scholars and community experts, and the public—interact to create. Our objectives are influenced by the Works Progress Administration’s Federal Art Project implemented during the Great Depression. We harken a a lost but not forgotten era when the government stimulated jobs in the arts by employing artists to create public works and subsidizing community education centers that offered training in arts skills applicable to industrial jobs of the time. Our process commissions artists and non-artists to collaborate on creative works aimed at inciting institutional change while studying social technology, digital media theory, interdisciplinary research and artistic production. BUREAU of CHANGE produces exhibitions, participatory and site-specific experiences, workshops and public programming, made-for-internet works, and collaborations with local and international […]