Nomadic Project

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The International Biennale of Performance, Collaborative and Participatory Arts means to shift: to be movable, exchange, modify, transfer… the crux includes the shifting of minds, theories and practices. Grappling with the unconventional and new ways of working. Not being afraid of experimentation and pushing past any stagnant boundaries. Performance art is new within the canonical context of art history. Therefore, [SHIFT: ibpcpa] provide a platform for artists to interpret and present work, for an international biennale based on ‘junction-making’ and ‘networked’ performances which enable an exclusive focus on performance practices including collaborative and/or participatory elements between artists and other non-art disciplines.

  L’AiR Arts is a grass-roots non profit association with a mission of supporting intercultural and artistic exchange through providing international artist residency opportunities. Our programs bring together artists, researchers, arts professionals and arts supporters of different nationalities and backgrounds with the aim to foster creativity and artistic practice, while promoting inclusion, diversity and international understanding through arts and cultural heritage.  

  tactileBOSCH is an itinerant artist led collective championing experimentation and specializing in performance art, multi-media, and site-specific installation. Through its exciting programme of exhibitions and events, tactileBOSCH seek out and adapt to new spaces and contexts, granting permission to artists to experiment with their work in a way entirely impossible in a traditional or gallery setting, offering interesting, transformative and unusual spaces that audiences can explore, and become immersed in creating a complex dialogue between artist, curator, gallery, location and audience.  

Picasso Pupils is an art society with the branch in India and in Slovakia whose main mission is to provide a platform for cultural exchange. The main aim is to use art as a language between diverse cultures. The organization arrange art residency programmes, exhibitions and educational activities in India and in Slovakia which share the ideas of togetherness between diverse cultures, preservation of traditional and contemporary art and spread the art education and social awareness through art. NORTH EAST INDIA: Picasso Pupils (An Art Society) Meghalaya, 793003 SLOVAKIA: PPIAC, Slovensko, Myjava 90701, Slovakia Europe

  Fluctuating images is an independent, non-commercial platform for media art and media design, established 2004 in Stuttgart, since 2008 in Berlin. The focus of its transdisciplinary curatorial and scientific approach are audiovisual productions (visualization of music) as well as developments in art, design, architecture, music, dance and film.  

  Coventry Biennial celebrates and promotes contemporary art, producing high quality exhibitions, activities and events in one of the UK’s most creative and industrious cities. This biennial festival is deeply connected to Coventry, its histories and wider context, but also retains an outward looking perspective, ensuring that the programme has wider appeal, significance and impact. Now working towards our second festival in 2019, we are also looking forward to contributing to Coventry taking the title of UK City of Culture in 2021 and we intend to play a significant part in attracting local, national and international audiences to experience the distinctive voices, rich culture and diversity inherent to Coventry. Our programme occupies unexpected sites in the city such as historic buildings, community centres, empty retail units, theatres and public spaces as well as more traditional gallery and museum spaces. This invites new audiences leading to distinctive interactions with both the works on display and the city. The biennial is artist-led, meaning that it was founded by, is owned by and is run by artists and aims to provide meaningful opportunities for practitioners at all stages of their careers, from recent graduates to established artists, with peer-to-peer development opportunities embedded into […]

  Ergastule is an Artist-run space founded by ten artists in 2008. Its goal is to promote contemporary art pooling competencies and tools of its members to create and show art-works and editions in its studios in Nancy (FR) as well as off-site temporary group shows. Ergastule invites artists to realize their projects by bringing their ideas and learning new skills. The organization’s uniqueness is based on shared competences, each artist learning from the others. The association is interested by traditional as technical know-hows to serve contemporary art’s research. Ergastule aims to bring about a situation conducive to novelty. Competences: Shaping, casting & edition: polyester resins, ceramics, blown glass and cast glass, silicones elastomers, latex, plaster, wax, metals Graphism: Paper publishing, books, photo-engraving, photopolymer, press, intaglio, linocut Digital: numerical modeling, synthetic imagery, animation, 3D-numerising, 3D-printing, 3 axes milling etc.

[gP] is an artist collective living and working from Lincoln, UK. Promoting exchange with wider artist led initiatives nationally and internationally [gP] seeks to stimulate a critical discourse, and sustain an engaged visual arts culture in the city through the programming of exhibitions, events and workshops. ​ With an emphasis on a fluid and experimental approach, gP encourages a diverse range of artistic practices that are developed collectively. Within the core group of approximately 10 artists there are on-going collaborations with more specific interests such as Curio, Mulch, Angry Gang, GAST, Reel and KAC which extend into the wider artistic community, incorporating contributions from practitioners in other locales. This collaborative ethos is clearly demonstrated through our workshop practice too; continuing to encourage collective exploration of creative subjects, blurring the line between workshop facilitators and workshop attendees.  

  THE BIENNIAL LAM 360° (Land Art Mongolia | acronym LAM) is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies. It strongly promotes freedom of expression in joining people and institutions from all sectors of Mongolian society by meshing their respective backgrounds and perspectives through collaboration and networking actions of regional and global scope. By doing so, the organization would like to incite an advanced discourse on cultural and social policy which will take up environmental and social sustainability with a strong emphasis on the most vulnerable sectors of society in Mongolia (such as: nomadic people | ethnic minorities | non-commercial cultural organizations and youth) in the broader perspective of cultural transformation in Central Asia. MNG 360° БАЙГАЛИЙН УРЛАГ МОНГОЛ is an Ulaanbaatar based independent, non-profit, contemporary art organization (NGO) with the purpose of raising awareness for issues as sustainability, nomadic culture, ecological decentralization and democracy by means of contemporary art as an impulse generator for civil society in Mongolia, with a main mission of promoting and realizing the Biennial Land Art Mongolia.

I started painting early, I do not remember age, but discovering as a child distant drawings and scribbles on the walls of my parents’ workshop. Then, I was drawing for hours on my parents’ sewing machines while they worked. I did it for pleasure and because my weak health did not allow me to run around with other children. Then they sent me to a teacher and I met the oil painting, the models, and the museums and galleries, as well as the concerts, since it was part of my teacher’s demands. As a teenager I embarked on painting as an adventure, which led me to discover other active artists, to live together in the San Telmo Fair. The Constructivism was a solid foundation for walking the path of Painting, giving a solid approach towards mural painting & Applied Art. With the decades this form of work received new names as Urban Art, and many times in fusion with graffiti artists. I believe that the artist’s task is to give a testimony of his time and to tell something individual and important of one: to make a place on earth and relate something unique and relevant. When I have the […]

Visual Artist Unit is a voluntary run, artist-led art collective. Set up in 2014 by 8 graduates from Gray’s School of Art (Aberdeen) and Duncan of Jordanstone (Dundee), VAU commits itself to the dual aims of supporting early-career artists based in Scotland and improving public engagement and access to contemporary art to wider public audiences. Graduate, early-career and emerging artists can join VAU’s Artist Membership programme, which aims to provide a wide-ranging support for artists to develop and sustain their practices in day to day life. VAU runs a yearly public engagement programme, hosting a range of exciting and innovative exhibitions, workshops, talks, commissions and events across Scotland which our members are invited to participate in for professional development experiences. These activities aim to build bridges between artists and the public, helping to improve access and engagement in contemporary art for all.

sluice is an artist/curator-run initiative for similar. Sluice was founded in 2011 by art historian Ben Street and artist Karl England. Our focus is transnationally local, i.e we’re focused on the local – globally. Sluice is concerned with applied theory, both in regards of the impact of the societal and economic environment on the arts but also how the arts can in turn impact our societal and economic environment. Sluice has staged art fairs and biennials in London and expos in New York and Berlin. Sluice strategically adopts structures in order to showcase artist, curator and emergent discourse, projects and galleries. Sluice magazine grew out of these initiatives and is now independently published by Sluice Art twice a year.

The Curatorial Collective for Public Art (CCPA) develops curatorial formats for the production, mediation and representation of art in public space, public art and urban interventions. As an agency for site-specific, transdisciplinary, critical and transitory public art, it approaches curatorial practice as a collective endeavor on the intersection of concept, organization and design. Through long-term collaborations and in reciprocal processes with artists, CCPA experiments with innovative curatorial frameworks for artworks in public space – be it a festival for urban interventions, an artistic funfair or an exhibition of ephemeral public art. CCPA was established in 2020 and consists of Yael Sherill, Lianne Mol, Julia Kawka and José Délano. The collective combines the members’ collective interests and expertise in curatorial practice, exhibition and stage design, cultural mediation, research, dramaturgy and project management in the field of site-specific theater, transdisciplinary art in public space and socially engaged practices. CCPA is an independent, nomadic collective without a fixed space, working across a variety of localities and collaborating with institutional partners and project spaces. Although based in Berlin, the collective works translocally, combining the international networks of its members. The team first worked together in 2019 in the frame of the project “Tracks in […]

Museelab is a Project space (not-for-profit) based in Sablé-sur-Sarthe, France. Museelab (local artists beaureau) engages with art and artistic activity in temporary spaces (empty shops or abandoned houses) within rural towns, this beginning in France and Europe, it is an artistic collective,  and a platform for established and emerging artists to exhibit and also work on community based projects. Museelab grew out of Teststip-FILMS, that was based in London and was a project of 24/48 film events. In 2017 Museelab was transformed and brought to France as a experimental project in physical locations with a mix of artists films, collaboration projects and residencies.

  SUPERORDINARY IS AN EPHEMERAL ART SPACE LOCATED IN THE BRISBANE CBD. WE PROVIDE SPACE FOR ARTISTS TO CREATE WORK, SHOW WORK AND COLLABORATE BY RECLAIMING UNUSED URBAN SPACES. Superordinary facilitates partnerships with property owners to utilise otherwise unused urban spaces in central Brisbane and repurposes them for arts projects and artistic development. Superordinary aims to provide opportunities often unavailable to artists due to economic barriers of entry. As a melting pot of energy for multi-disciplinary collaboration, our artists in residency are provided with space, opportunity and encouragement to create and innovate within a like minded community. In addition to our artistic facilitation, Superordinary provides space to emerging creative professionals to garner the support required to produce activations of their own. Our ground floor venue space will be home to many of these, as well as several immersive events and exhibitions from our artists in residence. While our current location at 62 Mary Street is temporary, the ephemeral nature of Superordinary and the community it cultivates will continue on in future spaces responding to their unique attributes. It’s what continues on between these physical spaces that defines Superordinary.

THIRD SHIFT is an annual festival of public contemporary artworks that takes place in Saint John, New Brunswick and online. THIRD SHIFT 2021 will take place from August 19 – 22, 2021. Established in 2015, THIRD SHIFT holds space for new experiences and communal exchange through the exhibition of temporary public artworks in Saint John and online. In 2020, THIRD SHIFT expanded to include digital art including animations, short films, interactive online experiences, live coding, virtual performances, and more. THIRD SHIFT will continue to support physical and digital installations (see COVID-19 FESTIVAL FRAMEWORK for more details). For more information about THIRD SHIFT and to see installations from last year’s festival, please visit the festival website. When we are having these calls it is important that all applicants think about their relationship to the land; THIRD SHIFT offers an opportunity to re-imagine and engage with the natural and built environment in what we now know as Saint John. The land on which THIRD SHIFT takes place is the unceded and unsurrendered territory of the Wolastoqiyik and Mi’kmaq Peoples. This territory is covered by the “Treaties of Peace and Friendship” which Wolastoqiyik and Mi’kmaq Peoples first signed with the British crown in 1725. The treaties […]

Climanosco was launched in 2015 with the vision that we can all play a part in addressing the climate challenge – and that a first step towards doing so is to make the best knowledge about climate science accessible to everyone. Find out more at www.climanosco.org/about/.  We work with climate scientists and citizens to create collections of accessible and reliable climate research articles. Browse through our research articles at www.climanosco.org/research-articles/.  Further, we collaborate with artists, activists and scientists on creating interdisciplinary projects to raise awareness to climate change and to develop visions of a sustainable world. 

Eye’s Walk Digital Festival is an innovative festival that combines digital technology, video installation, performing art and experiential design with the unique cultural and architectural background of a city.

The Union is a newly created Oslo-based organization (2020), an artist-run mediation platform consisting of Slovakian Martinka Bobrikova, Peruvian-Palestinian Rodrigo Ghattas-Pérez, and Spanish Oscar de Carmen. One of the core missions of The Union is to explore new socio-political realities through digital and physical activism and creative-citizen movements: the impact of Covid-19 – for artists, activists, thinkers, and creative minds – and its aftermath, being one of the most urgent ones. The Union´s laid-back projects target power structures in institutions, triggering loosen-up critical reflections through the use of unconventional, domestic, and experiential practices. We work to create other valorization structures for art, life, and culture, and to reshape the publics’ interaction; to actively participate in the collective design of new forms of care, participation, and empowerment through the arts. Whilst we cultivate countercultures and creative-civil community engagement.