Nomadic Project

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The International Biennale of Performance, Collaborative and Participatory Arts means to shift: to be movable, exchange, modify, transfer… the crux includes the shifting of minds, theories and practices. Grappling with the unconventional and new ways of working. Not being afraid of experimentation and pushing past any stagnant boundaries. Performance art is new within the canonical context of art history. Therefore, [SHIFT: ibpcpa] provide a platform for artists to interpret and present work, for an international biennale based on ‘junction-making’ and ‘networked’ performances which enable an exclusive focus on performance practices including collaborative and/or participatory elements between artists and other non-art disciplines.

QiPO is a team of international curators, artists and cultural producers, who have joined forces to realize exhibitions, events and various arts related projects around the world with the purpose of promoting dialogue and social engagement. Since February of 2019, QiPO has hosted and organized QiPO Fair in Mexico City, a annual contemporary art fair created by and for artist-run initiatives. For more info go to: www.qipofair.com QiPO is a project of Fulcrum Arts’ Emerge fiscal sponsorship program. Fulcrum Arts’ Emerge program helps emerging arts organizations raise funds by acting as a parent non-profit organization.

  L’AiR Arts is a grass-roots non profit association with a mission of supporting intercultural and artistic exchange through providing international artist residency opportunities. Our programs bring together artists, researchers, arts professionals and arts supporters of different nationalities and backgrounds with the aim to foster creativity and artistic practice, while promoting inclusion, diversity and international understanding through arts and cultural heritage.  

  tactileBOSCH is an itinerant artist led collective championing experimentation and specializing in performance art, multi-media, and site-specific installation. Through its exciting programme of exhibitions and events, tactileBOSCH seek out and adapt to new spaces and contexts, granting permission to artists to experiment with their work in a way entirely impossible in a traditional or gallery setting, offering interesting, transformative and unusual spaces that audiences can explore, and become immersed in creating a complex dialogue between artist, curator, gallery, location and audience.  

Picasso Pupils is an art society with the branch in India and in Slovakia whose main mission is to provide a platform for cultural exchange. The main aim is to use art as a language between diverse cultures. The organization arrange art residency programmes, exhibitions and educational activities in India and in Slovakia which share the ideas of togetherness between diverse cultures, preservation of traditional and contemporary art and spread the art education and social awareness through art. NORTH EAST INDIA: Picasso Pupils (An Art Society) Meghalaya, 793003 SLOVAKIA: PPIAC, Slovensko, Myjava 90701, Slovakia Europe

  Fluctuating images is an independent, non-commercial platform for media art and media design, established 2004 in Stuttgart, since 2008 in Berlin. The focus of its transdisciplinary curatorial and scientific approach are audiovisual productions (visualization of music) as well as developments in art, design, architecture, music, dance and film.  

  Coventry Biennial celebrates and promotes contemporary art, producing high quality exhibitions, activities and events in one of the UK’s most creative and industrious cities. This biennial festival is deeply connected to Coventry, its histories and wider context, but also retains an outward looking perspective, ensuring that the programme has wider appeal, significance and impact. Now working towards our second festival in 2019, we are also looking forward to contributing to Coventry taking the title of UK City of Culture in 2021 and we intend to play a significant part in attracting local, national and international audiences to experience the distinctive voices, rich culture and diversity inherent to Coventry. Our programme occupies unexpected sites in the city such as historic buildings, community centres, empty retail units, theatres and public spaces as well as more traditional gallery and museum spaces. This invites new audiences leading to distinctive interactions with both the works on display and the city. The biennial is artist-led, meaning that it was founded by, is owned by and is run by artists and aims to provide meaningful opportunities for practitioners at all stages of their careers, from recent graduates to established artists, with peer-to-peer development opportunities embedded into […]

  Ergastule is an Artist-run space founded by ten artists in 2008. Its goal is to promote contemporary art pooling competencies and tools of its members to create and show art-works and editions in its studios in Nancy (FR) as well as off-site temporary group shows. Ergastule invites artists to realize their projects by bringing their ideas and learning new skills. The organization’s uniqueness is based on shared competences, each artist learning from the others. The association is interested by traditional as technical know-hows to serve contemporary art’s research. Ergastule aims to bring about a situation conducive to novelty. Competences: Shaping, casting & edition: polyester resins, ceramics, blown glass and cast glass, silicones elastomers, latex, plaster, wax, metals Graphism: Paper publishing, books, photo-engraving, photopolymer, press, intaglio, linocut Digital: numerical modeling, synthetic imagery, animation, 3D-numerising, 3D-printing, 3 axes milling etc.

[gP] is an artist collective living and working from Lincoln, UK. Promoting exchange with wider artist led initiatives nationally and internationally [gP] seeks to stimulate a critical discourse, and sustain an engaged visual arts culture in the city through the programming of exhibitions, events and workshops. ​ With an emphasis on a fluid and experimental approach, gP encourages a diverse range of artistic practices that are developed collectively. Within the core group of approximately 10 artists there are on-going collaborations with more specific interests such as Curio, Mulch, Angry Gang, GAST, Reel and KAC which extend into the wider artistic community, incorporating contributions from practitioners in other locales. This collaborative ethos is clearly demonstrated through our workshop practice too; continuing to encourage collective exploration of creative subjects, blurring the line between workshop facilitators and workshop attendees.  

  THE BIENNIAL LAM 360° (Land Art Mongolia | acronym LAM) is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies. It strongly promotes freedom of expression in joining people and institutions from all sectors of Mongolian society by meshing their respective backgrounds and perspectives through collaboration and networking actions of regional and global scope. By doing so, the organization would like to incite an advanced discourse on cultural and social policy which will take up environmental and social sustainability with a strong emphasis on the most vulnerable sectors of society in Mongolia (such as: nomadic people | ethnic minorities | non-commercial cultural organizations and youth) in the broader perspective of cultural transformation in Central Asia. MNG 360° БАЙГАЛИЙН УРЛАГ МОНГОЛ is an Ulaanbaatar based independent, non-profit, contemporary art organization (NGO) with the purpose of raising awareness for issues as sustainability, nomadic culture, ecological decentralization and democracy by means of contemporary art as an impulse generator for civil society in Mongolia, with a main mission of promoting and realizing the Biennial Land Art Mongolia.

I started painting early, I do not remember age, but discovering as a child distant drawings and scribbles on the walls of my parents’ workshop. Then, I was drawing for hours on my parents’ sewing machines while they worked. I did it for pleasure and because my weak health did not allow me to run around with other children. Then they sent me to a teacher and I met the oil painting, the models, and the museums and galleries, as well as the concerts, since it was part of my teacher’s demands. As a teenager I embarked on painting as an adventure, which led me to discover other active artists, to live together in the San Telmo Fair. The Constructivism was a solid foundation for walking the path of Painting, giving a solid approach towards mural painting & Applied Art. With the decades this form of work received new names as Urban Art, and many times in fusion with graffiti artists. I believe that the artist’s task is to give a testimony of his time and to tell something individual and important of one: to make a place on earth and relate something unique and relevant. When I have the […]

Visual Artist Unit is a voluntary run, artist-led art collective. Set up in 2014 by 8 graduates from Gray’s School of Art (Aberdeen) and Duncan of Jordanstone (Dundee), VAU commits itself to the dual aims of supporting early-career artists based in Scotland and improving public engagement and access to contemporary art to wider public audiences. Graduate, early-career and emerging artists can join VAU’s Artist Membership programme, which aims to provide a wide-ranging support for artists to develop and sustain their practices in day to day life. VAU runs a yearly public engagement programme, hosting a range of exciting and innovative exhibitions, workshops, talks, commissions and events across Scotland which our members are invited to participate in for professional development experiences. These activities aim to build bridges between artists and the public, helping to improve access and engagement in contemporary art for all.

tadlachance is an art association dedicated to nomad, relational and contextual art practice, founded In 2002 by Madeleine Doré and Françoise Rod. The art collective develops activities as those relating to the hospitality and opportunities provided for ‘nomad’ artists en route through France, art walks in Italy and creates one-off installations, interventions, and multi-cultural art events in public spaces.

  [Athens GR based pop-up curatorial team, former CDS projects]   Unfuck Contemporary art Projects   applied purism a guerrilla squad assembled & expanding to do just that. for us it’s personal, its [1love], there will be blood. rehumanize into the new collective

Created in Barcelona, RICE is a Reversing Initiative to Counter the Exclusion of females and other discriminated groups in the art world. As an independent curatorial platform, our mission is to bring visibility and promote the sale of fresh and unique artworks by emerging and mid-career artists from around the world. Yes, we favor female-identifying artists and artists pertaining to other discriminated groups but we do not exclude male artists, especially those living in situations of marginalization or discrimination. Our goal is to reverse the current state of favoritism towards the traditionally privileged in mainstream contemporary art, by exercising positive discrimination while still leaving room for male artists and curators to be a part of this initiative. To that end, we launch quarterly open calls to discover artist to be featured in our art magazine and in the exhibitions we organize at established galleries across Europe.

  Perennial Art is a group of contemporary artists that curate exhibitions within temporary spaces. Our aim is to introduce selected artists to a new public. By inviting emerging and established international contemporaries, our aim is to show the public to a diverse and interesting group of artists. Perennial hopes this idea will flourish and lead to further more exciting exhibitions in the future. After the first exhibition each artist featured in the show will then transport /transplant our work to their country of residence, acting as the secondary stem/off roots. By having the second exhibition in their city the new roots are planted allowing room to blossom on foreign soil.

Oika is a small but growing community of artists, storytellers and media-makers dedicated to manifesting ecological intelligence through our work. We are creating a new culture in alliance and alignment with nature. Oika elevates the value of art by aligning it with the power and abundance of nature. Our artists are in deep communion with nature and manifest ecological intelligence in their creations. This alliance between nature and artist affords a moral, ecological imperative. “Oikadelic” art brings ecological intelligence to culture through nature and ecological healing to nature through culture. Into the Artmosphere is Oika’s core educational program for artists, storytellers and media-makers. Throughout 2020 Dr. Rich Blundell is traveling to diverse artistic communities introducing the principles and practices of ecological intelligence. We teach artists how to practice Oika for creative inspiration and give them the language, concepts, and confidence to publicly communicate the eco-cultural value of their work Oika seeks to surface and capacity-build ecologically intelligent artistic communities. Into the Artmosphere presents a progressive on-ramp for artists and curators to get involved. Responding appropriately to the climate crisis requires a whole new category of media-maker. In addition to specialized technical skills, we need new creative professionals with a fine-tuned […]

  Love’s Remedies is an initiative by artists BRD (Bridget Rosalia Driessen) and Hannah Kim Varamini. Started in 2018, Love’s Remedies uses the artists’ collective interest in care and attention as media, and invites other artists to utilize them and their resources for their own benefit. For their inhabitance at ArtCenter DTLA through 2020, Love’s Remedies continues to investigate the relations between friendship and artist networks, professional practices and expansive action.

During Soviet times, arts and culture were promoted, financed and used by the state and the communist party as an instrument to underpin the state, their party values and ideology. Cultural content had to align with ideological propaganda and be broadly understood by the general public. It also had to instill into people a feeling of being a part of the USSR family alongside its objectives and achievements. With the collapse of the Soviet Union and the concomitant economic dip and scarcity of state resources in the newly independent Kyrgyz Republic, the arts and culture community and Kyrgyz Union of Artists not only lost its financing but more importantly its role in society and the state. Twenty years after independence, like other newly independent states, the multi-ethnic Kyrgyz Republic is still struggling with a new national identity appealing to all constituent parts of the country. There is also a lack of understanding of citizen responsibility in a pluralistic market economy. Б’Art Contemporary was founded in 2007 by Shaarbek Amankul as an artistic research project and mobile art practice aimed at developing and promoting contemporary art in Kyrgyzstan as an alternative to the traditional view of and approach to art. VISION: […]