SUPERORDINARY IS AN EPHEMERAL ART SPACE LOCATED IN THE BRISBANE CBD. WE PROVIDE SPACE FOR ARTISTS TO CREATE WORK, SHOW WORK AND COLLABORATE BY RECLAIMING UNUSED URBAN SPACES. Superordinary facilitates partnerships with property owners to utilise otherwise unused urban spaces in central Brisbane and repurposes them for arts projects and artistic development. Superordinary aims to provide opportunities often unavailable to artists due to economic barriers of entry. As a melting pot of energy for multi-disciplinary collaboration, our artists in residency are provided with space, opportunity and encouragement to create and innovate within a like minded community. In addition to our artistic facilitation, Superordinary provides space to emerging creative professionals to garner the support required to produce activations of their own. Our ground floor venue space will be home to many of these, as well as several immersive events and exhibitions from our artists in residence. While our current location at 62 Mary Street is temporary, the ephemeral nature of Superordinary and the community it cultivates will continue on in future spaces responding to their unique attributes. It’s what continues on between these physical spaces that defines Superordinary.
ABOUT THE FESTIVALS The Lacuna Festivals aim to: Promote quality, contemporary (and sometimes challenging) art to communities isolated from mainland Europe which, therefore have limited access to Arts & Culture. Offer something local/translocal for both resident and visiting artists through stimulating local creatives and the local culture. To enlarge creative networks and provide a point of contact for the exchange of knowledge, the sharing of ideas and the blossoming of creativity. Develop new ways to exhibit, curate and organise large scale arts events through the use of crowdsourcing for ideas, funding, curation, promotion and all other aspects of such events. Support artists at all stages of their careers and from all backgrounds. Equal opportunities for everyone regardless of status, income, gender, race, age, orientation, celebrity or fame. We run an annual International Contemporary Art Festival in the Canary Islands, Spain. Over the last three years our festival has grown in popularity and now runs for a whole month during the summer. In 2020 the festivals exhibited 653 artworks, from 210 artists, coming from 53 countries around the world and held 45 live events. There was no fee for artists to partake or exhibit and all of our exhibitions and events […]
THIRD SHIFT is an annual festival of public contemporary artworks that takes place in Saint John, New Brunswick and online. THIRD SHIFT 2021 will take place from August 19 – 22, 2021. Established in 2015, THIRD SHIFT holds space for new experiences and communal exchange through the exhibition of temporary public artworks in Saint John and online. In 2020, THIRD SHIFT expanded to include digital art including animations, short films, interactive online experiences, live coding, virtual performances, and more. THIRD SHIFT will continue to support physical and digital installations (see COVID-19 FESTIVAL FRAMEWORK for more details). For more information about THIRD SHIFT and to see installations from last year’s festival, please visit the festival website. When we are having these calls it is important that all applicants think about their relationship to the land; THIRD SHIFT offers an opportunity to re-imagine and engage with the natural and built environment in what we now know as Saint John. The land on which THIRD SHIFT takes place is the unceded and unsurrendered territory of the Wolastoqiyik and Mi’kmaq Peoples. This territory is covered by the “Treaties of Peace and Friendship” which Wolastoqiyik and Mi’kmaq Peoples first signed with the British crown in 1725. The treaties […]
Found in 2019 by Dominik Kuschmieder and Till Terschüren in a two-story 540sqm loft. After remodeling the space the house now offers 7 artists studios, a professional workshop and community spaces as well as a garden. The whole space is dedicated to art production and acts as a base and gathering point for graduates of the HBK Braunschweig.
Climanosco was launched in 2015 with the vision that we can all play a part in addressing the climate challenge – and that a first step towards doing so is to make the best knowledge about climate science accessible to everyone. Find out more at www.climanosco.org/about/. We work with climate scientists and citizens to create collections of accessible and reliable climate research articles. Browse through our research articles at www.climanosco.org/research-articles/. Further, we collaborate with artists, activists and scientists on creating interdisciplinary projects to raise awareness to climate change and to develop visions of a sustainable world.
The first lockdown has driven us to a fighting spirit. Now, the second one feels more like a great melancholy. We would like to see art and culture as the very elixir of life in society. It should not occur only in Sunday speeches, not only in good times, but also, and especially in difficult times and times of crisis. Culture is a fuel for social development. But with the lockdown, an entire industry is muted without any ado. We strongly believe that we need culture to bring color and emotional warmth to our everyday life. Hence Window of FAME becomes active and opens its window for female artists. IMPRINT: Responsible for the content of this website is Tibor Foeldes & Marianne Mettler, founder and curator of the project. COPYRIGHT: All photos,Video, textes and images contributed to this website are copyright protected. The copyright lies with Window of Fame, Zürich and the corresponding authors. Each use requires the agreement of the copyright holders.
We are on a social mission to challenge the traditional role of Visual Art spaces in Birmingham. We believe everyone should have access to high quality art experiences and aim to provide that standard. We contribute to making Birmingham more inclusive by actively rejecting the exclusivity often found in the Visual Arts Sector. We celebrate the differences of all of our visitors, artists and Staff for they are a part of our Ort community and inform our work. We are focused on investing in and engaging with community members of the Balsall Heath Area that are often overlooked. We use our space to provide our community with art focused events, activities and volunteering opportunities. We believe that Art holds transformative power for mental wellbeing, bridging community gaps and increasing employability. We believe that you are never too young , too old or too different to learn a new skill or engage with Art. We are proud to provide exhibition opportunities to Black and Brown artists, those from working class backgrounds, the LGBTQ+ community and artists with disabilities. We always compensate Artists and staff for their work and contribution to our space – no matter the stage of their careers, and aim […]
Onassis AiR, is an (inter)national artistic research residency program that was established by the Onassis Foundation in September 2019, in Athens, Greece. Driven by our founding principles that are based upon a self-organized and process-oriented ethos towards a less product-obsessed arts ecosystem, Onassis AiR evolves as a growing community of peers from Greece and abroad that have experienced different ways of “cohabitation” in the house that we now call a home. Inspired by the title of a novel by Wilson Harris, in September 2020 we started The School of Infinite Rehearsals. Conceived as a collective research program, The School of Infinite Rehearsals brings together an interdisciplinary group of participants to exchange knowledges and practices around two research topics that we find urgent and necessary to address today and further explore collectively. From individual research needs to fostering a collective research study, the experiential and the tactile have become core components of how we think and practice together.
The Bomb Factory Art Foundation was founded on the premise that art, artists and creative culture offer significant value in our society. Our mission is to support artists, cultural organisations and educational institutions to engage people of all ages and backgrounds in the viewing and creation of art. The Bomb Factory enables contemporary visual arts practice to thrive through the provision of affordable studio and exhibition space as well as a supportive network of artists where peer collaboration and critique is encouraged. All resident artists support the organisation by contributing their skills and time to the public programme. Their engagement with learning and participation enables The Bomb Factory Art Foundation to demonstrate the social value of art. Over the past five years, The Bomb Factory has established itself as an important fixture on the London Contemporary Art landscape whilst also becoming a valued and important resource for the local community. The Bomb Factory attracts visitors from all over London and beyond, who engage in our exhibition and education programmes. This includes art exhibitions, screenings, workshops, performances, poetry and music events, as well as talks and performance art open mics.
Well Well Projects is an artist-run gallery located in Portland, Oregon. Co-founded and operated by Jeremy Le Grand, Jessie Weitzel Le Grand, Katherine Spinella, and John Whitten. Well Well opened in January 2021 with the intent of giving artists gallery representation. The co-founders bring their experience as artists, partners, and operators of a variety of artist-run spaces to the table in order to enrich this project and their home base in North Portland’s Disjecta Contemporary Art Center. With a member base that is Portland focused, they aim for this project to serve as a launch pad for artists while open-calls and other opportunities seek to reach a wider audience that expands outside the Pacific Northwest region. Art exhibitions serve as an important foundation to the gallery space, and programming seeks to vary the ways in which Well Well Projects interacts with the Portland community and beyond. Alongside regular solo and group exhibitions, Well Well is developing a series of artists workshops and classes, lectures, and a shop selling publications, art objects and editions.
Through the looking glass
Last week marked a quiet opening of “Through the Looking Glass” an outdoor art walk/exhibition in public space, organized by @est.art.foundation. This show brings together a collection of light and video based work illuminating the windows and alcoves of a defunct factory in the city of Leiden, Netherlands. “Through the Looking Glass” will screen nightly until March 7th. COVID rules apply. Doors remain closed. Just to be viewed by passers-by walking or cycling the “Singelpark”. A gift to the city. Through the looking glass is about wonder and amazement, about awareness and seeing through. From outside to inside and, about light in darkness. Artists: Jos Agasi (Leiden), Anneke Bosma (Amsterdam), Barthel Brussee (Leiden), Sándor Hötte (Amsterdam), Sarah Klein (San Francisco), Mathias Krissmer (Freiburg) and David Kwan (San Francisco).
Archival Content Report
March 8, 2021 (Intl Womens Day) 2pm PST Archival Content Report Instagram videochat shares archival content from past exhibiting artists of the PKULTRA franchise. Examples of archival types include this Visual Art Source article: Rumi Koshino, “Some Songs Have No Words,” 2011, archival inkjet print on paper, installation view, dimensions variable Continuing through December 31, 2011 Rumi Koshino’s site-specific installation, Some Songs Have No Words, muses on the most salient features of Form/Space Atelier. Koshino’s paper pyramids echo the watery patterns of the gallery’s linoleum floor and its well-aged wooden steps. Form/Space Atelier is an odd venue: it’s dominated by a central staircase that quickly descends to a small, dead-end landing. Koshino’s series of small paper sculptures are constructed from digital photographs of the 1960s-era flooring and the shabby stairs. Turquoise pyramids sit on the floor, echoing and blending into the pattern of the linoleum. Rows of pyramids trail up the stairs, and as they do their pattern and coloring changes to match the color and texture of the stairs themselves. This quiet, well conceived installation uses transparent technique and execution to highlight the unusual architecture of the gallery. Step carefully, however, as the pyramids are not fixed to the […]
The Quarantine Exhibition
Solidarity at this difficult time is an important issue! “Quarantine Exhibition” is a virtual exhibition during fragile times. The COVID-19 pandemic changes our lives significantly day after day. Despite the current crisis, art is demonstrating its force. In April, after lockdown measures were put in place around the world, our immediate impulse was to bring together artists, friends, peers and professionals from any geographic location, with no limits on age, nationality, or career stage, through the format of a truly open, open call. The artists were motivated to submit a statement and an artwork in any medium of their choice, transmitting their immediate impressions during quarantine. With a total of 445 submissions, the open call shifted into a plethora of voices and impulses, as well as a cartography of the global sentiment. With a variety of strong and compelling works, the selection process became simultaneously exciting and challenging. Space52 and the selection committee have selected 60 artists that will be included in the exhibition. Selected international artists are invited to engage in a series of online exhibitions, eventually staging a gallery exhibition. Paying tribute to the solidarity shown by artists and institutions, at a time when art is suffering fully […]